with guest flautist Bridget Bolliger
Sunday 10th November 2024
3:00pm to 4.30pm
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Program
PRE-CONCERT talk ‘Up close and personal‘ at 2.15 pm with the concert performers.
Hosted by SCMF Artistic Director Bridget Bolliger.
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Maurice Ravel – String Quartet No.1 in F Major
I. Allegro moderato. Très doux
II. Assez vif. Très rythmé
III. Très lent
IV. Vif et agité
~ INTERVAL ~
Alan Holley – Birds of Opal (1982) for solo flute
Heitor Villa Lobos – Bachiana Brasileiras nº 5 (Ária)
Kurt Weill – Selections from ‘The Threepenny Opera’
Zuhälterballade (Tango Ballad)
Kanonen-Song (Cannon Song)
Anstatt dass-Song (Instead of Song)
Die Moritat von Mackie Messer (The Ballad of Mack the Knife)
Kurt Weill – September Song
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Performers
Michael Duke
Andrew Smith
Nathan Henshaw
Jay Byrnes
with
Bridget Bolliger – Flute
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Experience a musical journey through time at the upcoming Nexas Quartet concert, where Ravel’s iconic string quartet undergoes a captivating transformation into the realm of saxophones. Delve into the rich tapestry of Weimar era music with selections from Kurt Weill’s timeless ‘Threepenny Opera’, performed with unparalleled fervour.
As a special treat, the quartet will be accompanied by the enchanting melodies of Sydney flautist Bridget Bolliger, weaving together the genius of Weill and Villa-Lobos into an unforgettable evening of classical mastery and innovation.
Join us for an exploration of musical brilliance and historical significance on a night that promises to enthral and inspire.
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NEXAS QUARTET
These very “cool” musicians make a saxophone quartet sound like an orchestra. With sumptuous mellow sounds, you will be amazed at the sheer beauty and versatility of this ensemble.
“Utterly startling … adrenaline fueled. 4.5 stars.”
“The group demonstrated its tight ensemble work and took us on a romp of colourations, each as exciting as the next” Sam Cottell — Cut Common
“The quartet played with great energy and smooth precision full of virtuosity and fine ensemble work” Lynne Lancaster— Sydney Arts Guide
Nexas Quartet stands as a trailblazing saxophone ensemble known for redefining the boundaries of chamber music. Comprising saxophonists Michael Duke, Andrew Smith, Nathan Henshaw, and Jay Byrnes, the quartet has garnered widespread recognition for their exceptional musicianship and unique artistic approach.
Founded in 2002 the ensemble has a passion for versatility that seamlessly presents multiple genres of music whilst captivating audiences with their dynamic performances. Their innovative interpretations and bold programming showcase the saxophone’s expressive range and adaptability.
Nexas Quartet has achieved acclaim on both national and international stages, earning prestigious awards and accolades for their outstanding contributions to the world of chamber music. With a commitment to collaboration, they have shared the stage with renowned artists and continually push the boundaries of traditional repertoire. This concept is demonstrated in their recordings Ballads of a Pleasant Life (ABC Classics) with opera star Peter Coleman-Wright and Tango de Saxos (Da Vinci) with bandoneist Stephen Cuttris and pianist Daniel Rojas. Other notable collaborations include programmes with harpist Emily Granger and pianist Gerard Willems.
Nexas has been privileged to perform in leading venues and festivals all around the world including the Australian Festival of Chamber Music, the Adelaide Cabaret Festival and World Saxophone Congress’ in Scotland, France and Croatia. Nexas has performed in a vast array of amazing locations, from the Sydney Opera House and Melbourne Recital Centre to Uluru and uninhabited islands in the Great Barrier Reef.
Nexas has always been passionate about presenting new compositions. Their debut album Current is a reflection of their collaboration with leading Australian composers, described by Stephanie Eslake for limelight as ‘a riveting release’ 4.5/5 stars. The quartet are privileged to have had new works written for them by a who’s who of Australian music including Carl Vine, Matthew Hindson and Lachlan Skipworth.
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BRIDGET BOLLIGER
Australian-Swiss flautist Bridget Bolliger is the brain-child, founder, and Artistic Director of the annual Sydney Chamber Music Festival since 2008 and a successful recipient of an Australian Elizabethan Theatre Trust grant which has been vital in supporting Bridget’s musical visions for Australian-based musicians.
The SCMF is a boutique-style festival at the Manly Art Gallery and Museum with an exclusive lineup of performing artists. The festival’s programs are unique, often tied in with themes from the Manly Art Gallery and Museum’s art exhibitions, emphasizing new Australian compositions each year and collaborations with the Sydney Puppet Theatre.
Ms. Bolliger is the founder and Artistic Director of the New Sydney Wind Quintet. In a decade, the NSWQ became one of Australia’s leading chamber ensembles, releasing several CDs, commissioning The Laughing Moon: Five Bagatelles for Wind Quintet from Ross Edwards, and giving numerous world premieres of new Australian works for the woodwind quintet. The NSWQ has performed in China and throughout Australia and Tasmania through Musica Viva, giving workshops and masterclasses at regional music conservatoriums in Dubbo, Coffs Harbour, and Bathurst with outreach programs at country schools. The NSWQ made numerous ABC live performances and is an integral part of ABC broadcasts.
Ms. Bolliger recorded two internationally acclaimed albums with British pianist Andrew West.
“Dancing Shadows” – the complete music for flute nd piano by Miriam Hyde, including selections of her poetry read by voice artist Gerard Maguire is released by Cala Records: “Timeless” contains classic flute and piano works by Frank Martin, Bohuslav Martinu, and Claude Debussy, and a world premiere recording of “Paradise of Birds” by Jim Coyle, released by Austrian Gramophone.
In 2023 Bridget released an album of music “Pearls” for flute and guitar which includes classics alongside new Australian compositions and innovative
arrangements for the ensemble. This recording is available on all digital platforms.
Bridget has been an artist in residence for Fine Music 102.5. and, during that time, collaborated with her brother Phillip Bolliger in a duo for flute and guitar, culminating in recordings and interviews entitled “The Bolliger Effect” with a personal account of her life as a mother and musician on ‘In Conversation with Michael Morton-Evans.
As a dedicated flute teacher and chamber music coach, Bridget Bolligernhas tutored and given masterclasses in Switzerland, Brazil, and Australia. She has taught at the Jugend Musik Schule in Switzerland (Rorschach) and was an assistant flute teacher to Michel Debost at the Oficina de Música de Curitiba in Brazil. She has taught at the Sydney Conservatorium of Music, the University of New South Wales, and the Sydney Conservatorium High School and presented masterclasses at the New England Conservatorium of Music, the Sydney Flute Society, the Australian National University, the Australian Flute Festival, and Australian National Academy of Music.
Bridget enjoys teaching from her home studio on the Northern Beaches of NSW and has students worldwide on the international teaching platform playwithapro.com based in Copenhagen. Bridget Bolliger distinguished herself early in Sydney, studying under Jenny Andrews, Jane Rutter, and Vernon Hill. At 15, she won the Australian National Mattara Spring Festival Concerto Competition and performed the Ibert Flute Concerto with the Sydney Symphony Orchestra in the same year; and also became the youngest woodwind member of the Sydney Youth Orchestra under Mastro Stuart Challender. During these early years of study, Bridget participated in masterclasses with Jean-Pierre Rampal, Alain Marion, and William Bennet when they came to Sydney.
She graduated from the Sydney Conservatorium High School with an Associate Diploma from the NSW Conservatorium of Music. Awarded a Big Brother Scholarship and Australia Council grant, at 18, Ms Bolliger left her birth town. She travelled to her ancestral home in Switzerland to study with Professor Peter-Lukas Graf at the Basel Music Academy from 1987 to 1991, graduating with a Master’s Degree in solo performance. For four consecutive years, Bridget Bolliger won the coveted Swiss Study Grant of the Migros/ Ernst-Göhner Stiftung. She also won the UBS Flute Competition in Zürich, the Kiefer Hablitzel Study Award in Bern, and was a prize winner at the Swiss Woodwind Competition in St Gallen. Ms.Bolliger was appointed Principal Flute with the Gustav Mahler Youth Orchestra under Claudio Abbado and Vaclav Neumann, the Schleswig Holstein Festival Orchestra under Christoph Eschenbach, and the European Community Youth Chamber Orchestra as a Swiss guest musician in the role of principal flute on tour throughout Switzerland under James Judd. After graduating with the prestigious Soloistʼs Diploma from the Basel Music Academy, Ms. Bolliger was appointed Principal Flute with the St Gallen Symphony Orchestra. She also appeared as Guest Principal Flute with the Basel Symphony Orchestra, Zürich Opera Orchestra and Zürich Chamber Orchestra, under conductors such as Nello Santi, Horst Stein, Franz Welser-Möst and Rafael Frühbeck de Burgos.
Bridget Bolliger has appeared as concerto soloist with the St Gallen Symphony Orchestra, Basel Symphony Orchestra, Basel Radio Orchestra, Collegium Musicum
Basel, Gruppo Concertistico della Svizzera Italiana (Lugano), Orquesta Sinfónica Simón Bolívar al Teatro Massimo (Palermo), Orquestra Sinfonica do Norte (Porto, Portugal) and the Sinfonica de São Paulo as well as several regional orchestras in Australia. She performed the Mozart Flute and Harp Concerto with world- renowned harpists including Elena Zaniboni, Marielle Nordmann, Sarah O’Brien, and the Cimarosa concerto for two flutes with Peter-Lukas Graf in Europe at the Stadtcasino Basel, the Teatro di Massimo in Sicily, the Konzertverein St. Gallen and numerous
other venues in Switzerland.
While living in Europe, Ms. Bolliger pursued voice studies with Otto and Monica Pick-Hieronomi at the Hochschule für Musik Köln. She then attended the Academia di Bologna taking singing lessons with Sergio Bertocchi. Bridget then embarked on a short professional singing career performing the role of Clorinda in Rossini’s La Cenerentola at the Teatro São Pedroin Brazil and the 1st soprano in “Drei arme adelige Weisen” from Richard Strauss’ Der Rosenkavalier at the Teatro Massimo d Palermo in Sicily. Singing was always Bridget’s passion, and she stepped aside from her flute career for two years to explore her vocal potential.
Ms. Bolliger then spent three years from 2000 between her home in Switzerland and Brazil as Principal Flute with the Orquestra Sinfônica do Estado de São Paulo before returning to Australia in 2003 after 16 years living abroad. In Australia, she has freelanced with the Sydney Symphony Orchestra, the Melbourne Symphony Orchestra, The Queensland Orchestra, the Australian Chamber Orchestra, and the Australian Opera and Ballet Orchestra.
As a chamber musician, Ms. Bolliger has appeared at Chamber Music Festivals in Ainey, France, the Curitiba International Music Festival in Brazil, the Huntington Estate Music Festival in New South Wales, Australia, and the Australian Festival of Chamber Music in Queensland. She has collaborated with many distinguished Australian and British musicians and with principal members of the Chicago and Montreal Symphony Orchestras.
Bridget Bolliger is a Powell Artist, playing on a handmade, 14-carrot gold Verne Q. Powell flute and a silver Verne Q.Powell with 14-carrot gold keys and a 19-carrot gold head joint.
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Tickets
Adults $55 / Concession $45 / Students $20
Tickets are available via Try Booking.
